Remote Truck Specifications
Video Production Area
- (1) Video Switcher; Grass Valley Group Model 250. Fully loaded, 2.5 ME with 20 primary inputs, 2 Aux Bus Router, etc.
- (1) DVE; Abekas A51+ Dual Channel Digital Effects. 2 Channels each with Key Channels, and Video Combiner, SuperWarps, Perspective, and Key Target-GPI remote controllable
- (1) DVE; Key West Technology, Feral Effects Unit with 2 Channels of X/Y positioning; for sizing and locating keyed boxes for Clock and/or Score
- (1) Still Store; Abekas A42 Dual Channelw/1000 Frame Capacity
- (1) Time of Day Clock; ESE Master Time Clock, Locked to GPS for accurate time-of-day. Also used as source for time code generator
- (2) Count Up and/or Down Clocks; with remote control panel in the Assistant Director position
Monitor Wall
- (18) B&W Source Monitors; Sony PVM-91 9" Black & White with Tally
- (10) Color Source Monitors; Sony PVM-8042Q 8" Color with Tally
- (2) Preview/Program Monitors; Sony PVM-20M2U 20" Color
- (2) Color Source LCD Monitors; Marshall V-R44P 4" LCD (Total 8 x 4")
- (2) Scopes; Tektronics 1730 Waveform Monitor and 1720 Vectorscope
- (1) Monitor; Wholer AMP Stereo Audio Monitor; in Directors position
- (2) Speakers; JBL Control 5 Stereo Audio Monitors
- (1) Amp; Symetrix Model 420 Stereo Audio Amplifier
- (2) Meters; Dorough Model 40-A2 Stereo Audio Loudness Meters
Graphics
- (1) Chyron Duet LEX Character Generator, w/ Fox Sports package
Note: Networking & Make Master require scheduled pre-production time. Please discuss with the Magnetic Image EIC in advance of the event to make arrangements for these software options. Under most conditions Magnetic Image will make available our PD PC Laptop for helping transfer Photoshop or Web documents and logos into the Duet.
Video Tape
- (1) Digital Betacam Recorder/Editor; Sony DVW-A500
- (3) Betacam SP Slo-Mo Recorder; Sony BVW-75
- (1) Betacam SP Recorder/Editor; Sony BVW-70
- (1) DVCam Recorder/Editor; Sony DSR-2000
- (1) 4 Channel EVS LSM-XT DDR for Instant Replay
- (1) 2 Channel Fast Forward DDR w/ Lance controller
- (2) Slo-mo Controllers; DNF Model ST300 "T bar" VTR. Each can control 4 VTR's; 100 segment cue capability
- (1) DVD Recorder/Player; JVC SR-DVM600
- (1) S-VHS Recorder/Editor; Sony SVO-5800
- (1) VHS Recorder; Sony SVO-1630 with UHF/VHF Tuner
- (6) VTR Color Monitors; Sony PVM-8042Q 8" with Tally
- (2) Color Source LCD Monitors; Marshall V-R44P 4" LCD (Total 8 x 4")
- (1) Color Source LCD Monitor; Marshall 15" VGA LCD
- (3) Wholer Audio Monitors. AMP-1A LP4S Audio Monitor with 4 Stereo inputs; AMP-1A Stereo Audio Monitor with 1 Stereo input; VMQ-4 with 4 Mono Inputs
- (2) Scopes; Tektronics 1730 Waveform Monitor and 1720 Vectorscope
Video Engineering
- (6) Camera Control Units; Sony RCP-TX7 Triax Remote Control Panels; Sony CCU-TX7 Triax CCU
- (1) Pesa RCP-MP32 Router Panel
- (2) Scopes; Tektronics 1730 Waveform Monitor and 1720 Vectorscope
- (1) Color Critical Monitor; Sony BVM-1310 Color 13"
- (6) B&W Camera Monitors; Panasonic WV-MB503 5" each with Tally
- (1) PESA Cougar 32x32 Video and Stereo Audio Router with 2 Full X-Y control panels; 6 Multi-Source Destination control panels in each production area
- (8) Channels of TBC/Frame Synchronizers
- (2) DPS 290D Dual Channel
- (2) DPS 291D Dual Channel
- (5) Channels of A to D and D to A, 601 converters
- (1) DPS RC-2001 Master Remote Control Panel
- (1) Color Quad Split Generator; Superscope VMS600
- (1) Time Code Generator/Reader; Fast Forward F30
- (1) Time Code Patch Panel
- (3) Time Code Audio DAs; Sigma ADA-16
- (10) Video DA's; Leitch. With EQ for Cameras, Program, etc.
Audio Room
- (1) 40 Channel Audio Mixer; Soundcraft Model K2, 40x8x2x1 with 8 sub groups, 4 stereo matrix; All Inserts and Direct Outs appear on the patch panel
- (1) DigiCart II "Plus" with RC-210 remote control panel with Internal 100 Meg Zip drive; 1 Gig External Jazz drive
- (1) 360 Systems "Instant Replay" built into a rolling cart
- (4) Stereo Compressor/Limiters; DBX 166 XL
- (1) Four-Channel Compressor/Limiter; DBX 1046
- (1) Audio/Video Alignment Delay; Rane Digital AVA 22 D
- (2) Telephone Digital Hybrids; Gentner DH-20
- (1) Telephone Analog Hybrid; Gentner SPH-3A
- (1) DAT recorder; Panasonic SV-3700
- (2) CD Players; Denon DN-C680
- (2) Color 8" LCD Monitors
- (2) Source Monitors; Marshall V-R43P triple Color LCD monitors (Total 6 x 4")
- (1) Program Monitor; Marshall V-LCD6.4 6" Color LCD monitor
- (1) Wholer Stereo Audio Monitor; AMP 1A
- (2) Dorough Model 40-A2 Stereo Audio Loudness Meters
- (2) Crown D75A Stereo Amplifiers
- (2) Speakers; JBL 4408A Stereo Monitors (Front)
- (2) Speakers; JBL Control 1 Stereo Monitors (Rear)
- (10) 96 point Bantam Patch Bay
Intercom System
- (5) RTS Intercom/PL Model 802 Master Stations with 12 Channels of PL, 9 wet and 3 dry
- (3) RTS PS-31 Power Supplies, with Aux Audio inputs
- (2) RTS 4010 IFB "Trays"
- (8) Channels of IFB
- (1) SAP 1626 "TW" Thumbwheel, for PL assignments
- (6) 4 Channel RTS Stations, RTS MCE-325 with MCS-325 Speakers
- (1) 2 Channel RTS Station, RTS MCE-327 with MCS-325 Speakers
- (1) RTS SPK 300, Biscuit Speaker Station
- (1) TW-12B Clearcom to RTS Interface
- (2) Telos LINK for Intercom to Telephone interface
- (1) RTS SSA 324 Motorola Radio to PL Interface
- (1) Telex BTR-800 2 channel wireless PL (rented seperately)
Telephones
- (4) Digital Telephone Sets AT&T/Lucent "Spirit" each with 4 Analog inputs patchable into any of the Telos or Hybrids systems.
Two-Way Radios
- (1) Motorola SM120, Multi-Channel Walkie Talkie Base Station
- (4) 6 channel Hand-Packs
Remote Audio Equipment
- (2) Shotgun Microphones; Audio-Technica 815B
- (2) Shotgun Microphones; Audio-Technica 835B
- (6) Handheld Microphones; Shure VP64AL
- (6) Lavalier Microphones; Tram TR-50 BMLXL
- (4) Announcer Stations; Clearcom AB-100
- (3) Announcer Headsets; Sennheiser HMD-25
- (1) Announcer Headsets; Beyer DT-190
Available System Cameras
- (6) Sony DXC-D30 Cameras
- (6) Sony CCU/RCP TX-7 Triax system
- (6) Sony DXF-51 Camera 5" B&W Viewfinders
- (2) Sony XC-999 "Cigar" POV cameras w/10:1 lenses for clock, scoreboard, etc.
Note: Not all cameras are included with the truck. Please ask for specific needs.
Available Tripods
- (1) Sachtler Studio 9+9 Tripod
- (2) Sachtler Video 60 Tripods
- (2) Sachtler Video 30 Tripods
- (2) Sachtler Video 25 Tripods
- (4) Sachtler Video 20 Tripods
- (2) Sachtler Video 14 Tripods
Note: Not all tripods are included with the truck. Please ask for specific needs.
Available Lenses:
- (1) Canon 70 x 9.5 with servo zoom and manual focus
- (1) Fujinon 55 x 9.5 with servo zoom and manual focus
- (1) Fujinon 66 x 9.5 with servo zoom and manual focus
- (2) Canon 33 x 11.5 with servo zoom and servo focus
- (1) Fujinon 24 x 11.5 with servo zoom and manual focus
- (5) Fujinon 8.5 x 5.5 Wide Angle Lenses
- (6) Fujinon 14 x 8.5 "Standard" Lenses with 2x Extender
Note: Not all lenses are included with the truck. Please ask for specific needs.
Input/Output External Patch Panel (In the Belly Bay)
- (6) DT-12 Audio Connectors "12 Pair Snake"
- (24) Male and (24) Female XLR Audio Connectors
- (26) BNC Video Connectors for I/O
- (1) External Router Control Connector
- (1) External RF Antenna Connector
- (1) External Video Reference Connector
Triax Cable
- (6) 500 Foot "Maxi" Triax
- (3) 250 Foot "Maxi" Triax
- (3) 100 Foot "Maxi" Triax
- (2) 300 Foot "Mini" Triax
- (2) 250 Foot "Mini" Triax
- (2) 100 Foot "Mini" Triax
Video Cable
- (3) 500 Foot BNC
- (3) 250 Foot BNC
- (3) 100 Foot BNC
- (1) 50 Foot BNC
- (12) 25 Foot BNC
- (2) 250 Foot "5-Wire" BNC
Audio Cable
- (1) 500 Foot DT-12
- (3) 250 Foot DT-12
- (3) 100 Foot DT-12
- (4) 500 Foot 3-Pair XLR Snakes
- (2) 12 Channel XLR Stage Boxes
General Truck Specifications
Year 2000 GMC Model T6500 Cab & Chassis, with Air Ride Suspension(2) MarvAir, 3 Ton Air Conditioners, with (2) 5,000 watt heaters12 volt interior emergency & work lighting. Left, Right and Rear 12 volt "Ambulance" Exterior Work Lights.
General Truck Dimensions
- Bumper to Bumper, Overall Length = 34'
- Overall Height = 13.5',
- Production Box Length = 24 Length
- Production Box Interior Height = 9.5'
- Expando Section Width = 4'
- Expando Section Length = x 16'
- Overall Truck Width, Open (with the expando out) = 15'
Note: Allow 8 feet more for stairs. - Overall Truck Width, Closed (with the expando in) = 9'
Truck Parking Requirements
Level "firm" ground 40' Long x 18' Wide x 14' Tall. Please Allow 50 Feet to navigate.
Note: Our production truck requires a "B-Unit" truck that carries all Camera Equipment, Lenses, Monitors, Cable and so on. Please allow a 24 foot Length space for parking this second "support" truck.
Truck Power Requirements
190-270 Volts AC, Single Phase, 100 Amps. External power source needs to bewithin 150 feet of the truck.
Note: Note: Professional whisper generators (film style) are needed as the proper power source. Industrial style generators vary in quality, stability, noise and reliability.
CamLock Cable on board
- (1) 100 Black and Red CamLock Pair
- (2) 50 Black and Red CamLock Pair
- (2) 50' Green CamLock Cable
- (1) 6' Black & Red, Bare Wire tie-ins
- (1) 6' Black, Red, & Green Tweeko tie-ins
You can download a PDF with truck specifications here.

